<b>Wilder Mann 6, 2010 </b>
The Krampus, a legend in Alpine countries, is said to punish misbehaving children during the winter Yule season. In contrast, Saint Nicholas, rewards well-behaved children with gifts. (Charles Fréger)
<b>Caretos, Lazarim, Portugal, 2010-2011</b>
“I found myself in front of something very radical, no face,” said Fréger.“It was more of a character with a mask and a focus where the body is more important than the face itself.” (Charles Fréger)
<b>Wilder Mann 92, 2010 </b>
Initially Fréger planned on covering 12 countries, but the more he worked on the project, the more he found himself traveling. (Charles Fréger)
<b>Laufr (Jumper), Třebič, Czech Republic, 2010–2011</b>
Fréger said many of the traditions had a lot in common, regardless of the country they came from. (Charles Fréger)
<b>Wilder Mann 25, Wilder Mann , 2010 </b>
In full-length portraits, the artist's photographs show celebrants enveloped in traditional costumes, crafted from layers of animal skins, local plants, bones and antlers. (Charles Fréger)
<b>Babugeri, Bansko, Bulgaria, 2010–2011</b>
Fréger first saw a costumed “Wild Man” while watching a friend’s show in Lyon, France. (Charles Fréger)
<b>Cerbul (Stag), Corlata, Romania, 2010-2011</b>
Fréger said many of the traditions are full of joy. (Charles Fréger)
<b>Ursul (Bear), Palanca, Romania, 2010–2011</b>
The Pagan concept of a “Wild Man” is based on changing seasons and rites of passage. (Charles Fréger)
<b>Boes, Ottana, Sardinia, Italy, 2010</b>
“There was a slight touch of universality because a lot of the groups were doing something similar without knowing one another," said Fréger. (Charles Fréger)
<b>Macinula, Cisiec, Poland, 2010</b>
"Many of the festivities were focused on animals and vegetation, you could photograph someone dressed like a bear for example in Portugal or Spain or Romania. To me this was really exciting and interesting,” said Fréger. (Charles Fréger)