Nudity, pedophilia in Matthew McConaughey and Gina Gershon's 'Killer Joe' lands film an NC-17 rating
{{#rendered}} {{/rendered}}
Just when you thought that families portrayed on film couldn’t be more dysfunctional, the new Matthew McConaughey and Gina Gershon-starring dark comedy “Killer Joe” is ready for theatrical release. And its dark, seedy content has landed the film an NC-17 rating.
Directed by William Friedkin and based on Tracy Letts’s award-winning play, the southern gothic crime thriller centers on a broken, drug-dealing young man (Emilie Hirsch) who convinces his dad (Thomas Haden Church) and stepmom (Gershon) to join him in hiring corrupt small-town Texas sheriff Joe (McConaughey) to murder his mom in an effort to obtain her life insurance policy.
But as a financial “retainer,” they willingly give the sheriff their sweetly innocent 12-year-old sister/daughter Dottie (Juno Temple) as his sexual muse – and there’s no full frontal nudity or explicit innuendos spared.
{{#rendered}} {{/rendered}}
But while the strict “no children under 17” rating might affect the film’s performance at the box office, some experts predict that it may give the film a cult following.
“While it may affect the ability to market a film, it brings a whole new cache of subversive marketing, and mainstream actors who give it legitimacy, credibility and raise it to a whole new level," box office analyst Paul Dergarabedian told the Associated Press.
- Conservative filmmaker behind ‘2016: Obama’s America’ says he ‘learned some lessons’ from Michael Moore, prepares for wide release
- New ‘Spider-Man’ stuck on repeat
- Lindsay Lohan insists crew on new movie strip before she does
- Bristol Palin joins ‘Dancing with the Stars’ all-star cast: Who are you rooting for?
- Fred Willard loses second job after lewd conduct bust
“Let’s wear it as a badge and keep it shined!” McConaughey said of the NC-17 rating for “Killer Joe.”
{{#rendered}} {{/rendered}}
Still, despite his embrace of the rating, it took quite some convincing before the actor signed on to play a pedophile police man in what has been conceived as a humor-driven movie.
“I thought (the script) was gross. I put it down and threw it in the trash and wanted nothing to do with it. Then I took a long, hot shower,” he told FOX411’s Pop Tarts column. “But some other people close to me read it and their opinion was 180 degrees different from mine. They were laughing so I went back and read it. The first time I read it I got so sucked into this ugly world, I never could get above that to see any levity or humanity. I just thought it was icky, sticky, gross and I didn’t want to be in that company. Once I got the humor, it allowed me to see the story and the humanity.”
Only that’s not where the stomach-churning story ends. There are scenes involving fried chicken and Gina Gershon’s character that leave nothing to the imagination. Or in her words, “she puts it all out there” in a very animalistic way.
{{#rendered}} {{/rendered}}
“I ate a lot. It was more physicality for me; I just wanted her walk to be some kind of alley cat but not very graceful. It was great, I could eat and eat and eat,” Gershon told us of her preparation for the part. “And I thought my family was screwed up… It’s the darkest, darkest comedy I have ever seen but it’s hilarious. It’s very visceral.”
And even though “Killer Joe” paints a portrait of the trashiest of trash, redneck Texan family, McConaughey – a Texas native himself – assured us the locals who’ve seen the picture roared with laughter, and that the Lone Star state truly is a country in its own right.
“It’s a very independent state, an independent-minded state. It’s a state that has a lot of tradition and a lot of backbone, but at the same time it is a state that is not afraid to look forward and say ‘what is the definition of progress for tomorrow?’ That’s what I like Texas,” he added. “It’s a very resilient state. We mind our business and we like it that way.”
{{#rendered}} {{/rendered}}
Films rated NC-17 are rarely commercial. Pedro Almodovar’s 2004 film “Bad Education” has the highest box-office tally of any NC-17 film with just over $5 million.
The Associated Press contributed to this report.